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University of Graz Faculty of Humanities Department of Arts and Musicology News New University Professor
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Monday, 19 September 2022

New University Professor

Portrait Cornelia Logemann

Univ.-Prof. Cornelia Logemann, PhD

Since September 2022, PD Dr. Cornelia Logemann has held the professorship for 15th-17th century art history at the University of Graz. She completed her dissertation in 2005 at the University of Hamburg with a thesis on the conception of space in 14th century French book illumination. After working in Göttingen and Paris, she headed a junior research group at the University of Heidelberg from 2001 to 2006 on the subject of "Principle of Personification. Visual intelligence and epistemic tradition 1300 to 1800. She also habilitated on this topic in 2018. Her habilitation thesis will be published this winter by Heidelberg University Publishing (heiUP).

After substitute and visiting professorships at the universities of Bielefeld, Munich, Heidelberg and Graz, Cornelia Logemann will be teaching early modern and medieval topics at the Karl-Franzens-Universität Graz from the winter semester onwards. Her research focuses, among other things, on personifications and allegories in the pre-modern period, but also on the relationship between text and image, particularly in book illumination. She also focuses on the media characteristics of tapestries from the 15th and 16th centuries. The localization of European art production in a global reference system plays a role in research and teaching, as does the reflection of epochal concepts. In a research project initiated together with colleagues on Zeitfugen. Medieval artefacts in their temporal constellations, initiated together with colleagues, is currently looking at the question of how a historical consciousness developed long before the beginning of the early modern period and how artefacts from past eras were integrated or contextualized in new contexts.

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"Giuseppi Gazzaniga. E il teatro musicale comico del secondo Settento"

New Publication Iris Julian

The Inherent Potential in Art Performance. To Critically Challenge Art Traditions in Scenes of Love and Sexual Desire London and New York: Routledge, 2025.

MerMEId workshop in Trieste: Exchange and innovation in digital music cataloguing

On 13 and 14 September 2025, members of the TartinianS in Europe project took part in the MerMEId workshop at the Trieste Conservatory. The event provided a valuable opportunity to exchange ideas on digital music cataloguing, explore topics related to Giuseppe Tartini in greater depth and strengthen cooperation between European institutions in the field of digital musicology.

Warum der Tod in Malerei & Co. so lebendig ist, erklärt Kunstwissenschaftler Robert Felfe

Abseits vom 1. November beschäftigen wir uns nach wie vor nicht gerne damit, blenden ihn oft aus. In der Kunst ist der Tod hingegen omnipräsent und ein zentrales Thema. Warum das Sterben so fasziniert und was uns die Darstellungen sagen wollen, zeigt Kunsthistoriker und Kulturwissenschaftler Robert Felfe auf.

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