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University of Graz Faculty of Humanities Department of Arts and Musicology News Professuren für Kunstgeschichte ausgeschrieben
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Thursday, 13 January 2022

Professuren für Kunstgeschichte ausgeschrieben

Die Universität Graz besetzt am Institut für Kunstgeschichte der Geisteswissenschaftlichen Fakultät folgende Professuren:
At the Institute of Art History at the Faculty of Arts and Humanities, the University of Graz is seeking to appoint two Professorships:

Professur für Kunstgeschichte des 15. bis 17. Jahrhunderts unter Berücksichtigung der Medien- und Sammlungsgeschichte
(40 Stunden/Woche; Verfahren gem § 99 Abs 1 Universitätsgesetz; auf 2 Jahre befristetes Arbeitsverhältnis nach dem Angestelltengesetz; voraussichtlich zu besetzen ab 01. März 2022)

Professor of Art History from the 15th to the 17th century, taking into account the history of media and collections
(40 hours per week; selection procedure in accordance with Section 99 (1) of the Universities Act (UG); fixed-term employment for 2 years according to the Salaried Employees Act (AngG); expected starting date March 1st 2022)

und
and

Professur für Kunstgeschichte des 18. bis 20. Jahrhunderts (mit einem Schwerpunkt im Bereich der Medienkulturgeschichte und der Ästhetik)
(40 Stunden/Woche; Verfahren gem § 99 Abs 1 Universitätsgesetz; auf 3 Jahre befristetes Arbeitsverhältnis nach dem Angestelltengesetz; voraussichtlich zu besetzen ab 01. März 2022)

Professor of Art History from the 18th to the 20th century (with a focus on media culture history and aesthetics)
(40 hours per week; selection procedure in accordance with Section 99 (1) of the Universities Act (UG); fixed-term employment for 3 years according to the Salaried Employees Act (AngG); expected starting date March 1st 2022)
 

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On 13 and 14 September 2025, members of the TartinianS in Europe project took part in the MerMEId workshop at the Trieste Conservatory. The event provided a valuable opportunity to exchange ideas on digital music cataloguing, explore topics related to Giuseppe Tartini in greater depth and strengthen cooperation between European institutions in the field of digital musicology.

Warum der Tod in Malerei & Co. so lebendig ist, erklärt Kunstwissenschaftler Robert Felfe

Abseits vom 1. November beschäftigen wir uns nach wie vor nicht gerne damit, blenden ihn oft aus. In der Kunst ist der Tod hingegen omnipräsent und ein zentrales Thema. Warum das Sterben so fasziniert und was uns die Darstellungen sagen wollen, zeigt Kunsthistoriker und Kulturwissenschaftler Robert Felfe auf.

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